Saturday April 30
Coldplay, Bauhaus, Weezer, Cocteau Twins, Chemical Brothers, Wilco, Keane, Snow Patrol, Rilo Kiley, Café Tacuba, Doves, Sage Francis, Armin Van Buuren, The Raveonettes, Bloc Party, Mercury Rev, Fantomas, Hernan Cattaneo, Zap Mama, DJ Peretz, Secret Machines, Jamie Cullum, M83, Ambulance LTD, Four Tet, MF Doom, Josh Wink, Amp Fiddler, Tiga, The Kills, Donavon Frankenreiter, Spoon, Boom Bip, Katie Melua, DJ Marky, Immortal Technique, Jean Grae, Razorlight, Swayzak, Radio 4, Buck 65, Eisley, The Sexy Magazines, k-os
Sunday May 1
Nine Inch Nails, New Order, Bright Eyes, Gang Of Four, Prodigy, Black Star, The Faint, Roni Size, The Arcade Fire, Roots Manuva, DJ Krush, Thrice, Junkie XL, M.I.A., British Sea Power, The Dresden Dolls, Miss Kittin, Fiery Furnaces, Aesop Rock, The Perceptionists, Jem, Autolux, Sixtoo, Tegan And Sara, Stereophonics, The Bravery, Matthew Dear, Diplo, Subtle, Beans, Shout Out Louds, Futureheads, Sloan, Kasabian, Blood Brothers, Matmos, Wolf Eyes, Gram Rabbit, Smokestacks, Zion 1
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Los Angeles Center for Digital Art
107 West Fifth Street
Los Angeles, CA 90013
Contact: Rex Bruce
323 646 9427
Web site http://www.lacda.com
Los Angeles Center for Digital Art announces our "TOP 40" juried competion for digital art and photography. Entrants submit three JPEG files of original work. All styles of 2D artwork and photography where digital processes of any kind were integral to the creation of the images are acceptable. Open to all geographical locations.
Forty winners receive one print up to 24x36 on museum quality paper to be shown in an international group exhibition in our gallery from March 10-April 2, 2005. The show will be widely promoted and will include a reception for the artists.
Registration fee is $30US.
Proceeds benefit gallery programs.
Online registration only available at:
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By alexander laurence
Kasabian are one of the big bands of the past year from England. They have been compared to everyone from Stereolab to Stone Roses to Primal Scream. They had four hit singles, and their first album came out in Fall 2004 and sold over 250,000 copies. Their shows have all been sold out all over England in the past year. The rise of Kasabian has been fast. A year ago they were unknown. Now they have played a sold out show in New York at Bowery Ballroom in November, without having any formal releases.
The group, who will embark on a month-long tour supporting The Music, is set to kick-off mid-February in NYC and end in March at SXSW. They're from Leicester, England and are named after one of the killers involved with the Manson Family. I spoke to lead singer, Tom Meighan, around the beginning of the year, about this phenomenal band. Kasabian is Tom Meighan (vocals), Sergio Pizzorno (lead guitar, keyboards), Chris Edwards (bass) and Christopher Karloff (guitar, keyboards).
AL: When did you record the album?
Tom: We recorded the album about a year ago at the farm. We had to move away from the city to get our heads together. We had to do that to record this beautiful baby of ours. If we would have done in a proper studio in the city we would have been out of it. We had to get our heads together and concentrate.
AL: How long was the recording process?
Tom: It took about eight months altogether. We had skeletons of songs for a long time. We knew what we wanted to do. We had the songs in our minds. We lived like hippies man for two years. It was amazing.
AL: It was like a commune?
Tom: Yeah, it was kinda like that. Not far off it. There was not much health food. It was all rubbish food mate and junk food. We ate boxes of potato chips.
AL: Was there any bin diving?
Tom: There was plenty of that mate.
AL: When you record a song how do you go about it?
Tom: We start to get into an idea and put it down. We start with the computer. We start with the beats. Sometimes we lay down some guitar. Sometimes Sergio writes down some guitar parts and brings that in to the rest of the band. It's much like how you would do a hiphop album.
AL: Most of the members of Kasabian grew up with rave culture and much of that music is computer based. Since you are a rock band you would think that some of these tracks are live takes.
Tom: No, they weren't. We just went in there and played it. Some of it was one take and some of it wasn't. It all depended on how we were feeling and how the mood was. Sometimes we would attack a song in one take or a few takes. We wouldn't take that long there. We were trying to create a vibe. It was quite simple.
AL: How long have you been touring?
Tom: We have been playing nonstop since February 2004. We have played Japan. We have been to New York. We played Bowery Ballroom. We have been to Europe. We have been all over England. We have probably played 130 gigs this past year. It's been pretty tense. The year before we probably only played forty shows altogether. We are just finding our feet live now.
AL: What were the earlier shows like?
Tom: They were alright. We tried some more experimental shit out. It was like a wall of sound. We knew we had to perform more and get better. Sometimes we hit the bull's eyes.
AL: You were on the cover of the NME recently. How do you feel about that?
Tom: It's amazing. We have been waiting seven years for it mate. When it happens to you, you can't believe it. They had to put us on there. There was nothing they could do about it. They had to write about us. It's a wonderful thing. I remember buying an NME when I was sixteen years old. Richard Ashcroft was on the cover. I was thinking to myself wouldn't it be amazing one day if they put us on there. We got on there. We were laughing at the picture. We felt like kids again. It's a proud moment.
AL: So now even people who don't even follow music recognize you?
Tom: It's a bit different from how it used to be mate. Six months ago no one gave a shit. It's changed really fast. You are right. People recognize us. Friends call up and want tickets. When you are in a popular band it is all very flattering. I find it all amazing.
AL: How do you write songs in the band?
Tom: Sergio and Karloff do the music and the tunes. Sergio writes most of the lyrics.
AL: What are your songs about generally?
Tom: I would say that the songs are about a mish mash of the world today. Sometimes there are some jumbled up words that don't really mean anything, but it's all quite positive.
AL: I heard some stuff that you said about Keane. It was like there are rock bands and then there are these student types. Sometimes when you go to a festival you have to sit through all these bands with high voices and who wear sweaters.
Tom: They are alright. There will always be students who want to be in bands. The good thing about Kasabian is that we got the students who want to watch us play as well. We got the cool students. We got the hooligans watching us. We have boyfriend and girlfriend watching us together. There are teenagers. We have all types of people at our gig, which is a great thing.
AL: Sometimes you heard an amazing record by Radiohead or Gomez and then you see them live and they look like a bunch of dicks.
Tom: Yeah. Radiohead are amazing. They are clever. Gomez are a good band. What happened to them?
AL: I think that their label dropped them. They have been playing a lot live in the Unites States. When was your record released?
Tom: It came out three months ago and it's doing really well. It comes out in the USA in March 2005. It should be awesome.
AL: You are coming over for a big tour?
Tom: We are coming over for about three months. It's absolutely thrilling that we are actually coming over to the States and playing.
AL: You already played one show in New York at Bowery Ballroom. What is the show going to be like?
Tom: When we play we are going to be on fire. We are going to be locked and loaded. We are going to be ready to go. We are going to give you our heart and our blood, man. We are going to give you a rock and roll show. We are going to spill our blood. We are not lying to you. You are going to fucking believe it. It's going to be like an electric pole fucking hitting you really hard in the balls. It's going to throw you around. You are going to love it.
AL: Maybe you don't want to be in the front row or you'll get hurt?
Tom: Your head will be bleeding if you are in the front row, I'll tell you that.
AL: If you are an American girl and you are a big fan of Kasabian, where do you line up to get a proper introduction to the band? Is there a hotline?
Tom: No. Just come to the back room at the venue, line them up, one by one.
AL: How are you going to prepare for this tour?
Tom: We are playing a few shows before the American tour. Hopefully we will have some time to go home and eat some turkey and chill out. We will try to detox. But that will never happen. We will be there in March.
AL: Have you played with The Music before?
Tom: No, we haven't. We are friends with them. They are top guys. They are a good band.
AL: Kasabian is mostly from Leicester, England. What is that town known for?
Tom: It's known for nothing. You remember that guy Englebert Humperdinck? He knocked off the Beatles from number one? He's the only guy from Leicester who is known to anybody.
AL: I didn't realize that he is English.
Tom: Well, he pretends to be. I am not sure what he is. Leicester is right in the smack middle of England. We are the only thing that has come from Leicester.
AL: Are there any other bands that you like?
Tom: I like Black Rebel Motorcycle Club. They are cool. I like Mad Action.
AL: What other things do you do with your time besides music?
Tom: I just get stoned mate. I get pissed.
2005 Kasabian Tour
Kasabian appearing with The Music
Thu 02/17/05 New York, NY Irving Plaza
Fri 02/18/05 Washington, DC 9:30 Club
Sat 02/19/05 Philadelphia, PA Theatre Of Living Arts
Tue 02/22/05 Providence, RI The Call
Wed 02/23/05 Boston, MA Paradise Rock Club
Thu 02/24/05 Montreal, QC La Tulipe
Sat 02/26/05 London, ON Centennial Hall
Sun 02/27/05 Detroit, MI St. Andrews Hall
Mon 02/28/05 Covington, KY Jillian's Entertainment Center
Wed 03/02/05 Chicago, IL Metro / Smart Bar
Thu 03/03/05 Saint Louis, MO The Pageant
Mon 03/07/05 Seattle, WA Neumo's
Tue 03/08/05 Vancouver, BC Commodore Ballroom
Wed 03/09/05 Portland, OR Crystal Ballroom
Fri 03/11/05 San Francisco, CA Slim's
Sat 03/12/05 Los Angeles, CA Music Box At The Fonda
Sun 03/13/05 San Diego, CA Canes
Tue 03/15/05 Tempe, AZ Marquee Theatre
Thu 03/17/05 Dallas, TX Gypsy Tea Room
Fri 03/18/05 Houston, TX Meridian
Sat 03/19/05 Houston, TX Meridian
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Colder Interview by Alexander Laurence
Colder in a one-man band that comes from Paris, France. They have released their first album “Again” (2004). Colder is actually the work of graphic designer and video producer, Marc Nguyen Tan, who in his spare time has developed one of the most accomplished and critically acclaimed debut albums. He began making music with his background working as art director for TV and fashion. During the last part of 2002 he produced his first musical project and sent a few demos out. Output Recordings soon signed him.
Colder “Again” was finally released in late 2003 and immediately discovered by fans and critics. The album seems like an intimate journey by a lonely traveler in an abandoned city. The CD also includes a DVD which is very much part of the complete experience. The record is reminiscent of Joy Division and Coil but is also very modern. It is a combination of dance music, rock, industrial, and techno. It is its own genre really.
Colder made their live debut at the famous Elysee Montmartre venue in their hometown Paris. Soon after Colder performed to a capacity audience of six thousand people at Europe’s premier music festival, Sonar, in Barcelona. Colder has since performed at many European stages and festivals. They have even played with The Rapture on their French tour dates. I spoke to Marc before his recent show at Bowery Ballroom.
NOTE: This is a rare interview with this band. Not many people in the USA have seen this band. They only played once in Fall 2004, and that tour included dates at Spaceland and Bowery Ballroom. I get contacted all the time about Marc Tan and COLDER.
AL: How long have you been doing music?
Marc: I have been playing music for a long time. But I have only been doing it seriously for a short time. The band has only been playing together for a year. I have been recording things for at least ten or fifteen years. The whole Colder thing was just a coincidence. It started about two years ago. I did it for professional and personal reasons. There was a time for three months where I had nothing planned. I had some free time. I decided to spend that time focusing on making music.
AL: You are from France?
Marc: I was born in Paris. I have always lived there. I am from a real boring area. It’s in the 15th arrondisement. It’s very Catholic.
AL: Do you come from a very musical family?
Marc: No. They were all involved with medicine. I used to listen to music at an early age.
AL: Did you play instruments or did you come from a technical background?
Marc: I used computers quite a lot. I use it like an eight track recorder. I record things in it. I am not a very good musician. When I play some guitar or bass lines, I just play some simple notes. I play some stuff on keyboards. I use the computer as a multi-track recorder. I don’t use sophisticated gear.
AL: What was the first track you did?
Marc: That was “One Night In Tokyo.” I recorded it all in three months. That was the first song. The last song was “Silicone Sexy.” It’s more techno sounding.
AL: Was the recordings done as an album format in mind?
Marc: For me, the album format is really important. I don’t like the single format. I don’t like releasing singles from the album. I like how you can listen to a whole album and it can tell an abstract story.
AL: How do you start working on a track?
Marc: Basically it’s about personal things that have happened in my life. The record was written after I had been traveling often for a few years. The Colder record talks about those travels in a real distant way.
AL: You did all the vocals on the record?
Marc: Yeah. I did all the vocals and all the music. I did all the artwork. I had one close friend mix the record and master it. He did it more properly. I know nothing about mastering.
AL: The record has been out a while in Europe?
Marc: It was released a year before in Europe. The record is exactly the same. It has one CD and one DVD. It’s a set.
AL: Since you did this all by yourself, when did you start a band?
Marc: That was coincidental as well. Two months before the record came out, I had a dream about a live band. In the dream I was talking to my friend who now plays with Colder. He was saying in the dream “Maybe we should try to play Colder live?” I wasn’t into it too much in the dream. A half-hour after having that dream I got a strange email from Trevor Jackson, from Output Recordings. He said that he couldn’t sleep that night. During that night he had a dream of a band playing Colder live. Trevor’s description was so accurate and close to what my friend was talking about that we thought that maybe we should do it. We spent two months in a rehearsal studio. That’s how the band started.
AL: How many live shows have you played?
Marc: Maybe about forty.
AL: Have bands did you listen to when you were growing up?
Marc: Some guy wrote something in a French webzine like “the Strange thing about the Colder record is that you feel the border between the influences and personal life were so close that they melt into one another.” I think that guy is quite right. I could tell you my influences and it would be about a thousand band names, so it would be boring to recall. When I was a teenager, and also at this moment in my life, music is so close to my life. I listen to music every day. I have always been a fan of certain bands but that changes always in different periods of my life. It’s very difficult to acknowledge certain bands. I have always been a fan of what I call “Darker Pop” or “Pop Obscure.” It’s like older pop music that is very intimate. It goes from Nick Drake to The Scientist. The Scientist has been doing dub records since the 1980s. There are bands like Coil, Non, Current 93 and Death In June.
AL: Some of those bands have strange politics.
Marc: I don’t care about the politics too much. I am more concerned about the music and the feelings.
AL: What sort of bands do you play with?
Marc: It’s all various people. We are a small band. Ninety percent of the time we are playing as a support band with bands who are kind enough to accept us. We are not picky who we play with.
AL: Are you playing with more techno people or bands?
Marc: It’s true that we are playing in clubs, so we do play with bands and club music. We always have DJs playing with us. Sometimes we have played with rock bands. In France we supported The Rapture.
AL: Do people play your record in Clubs?
Marc: I guess that they do. I heard that some DJ in Germany used to play a few tracks. When the record came out they were playing it in clubs in France. I don’t go to clubs very often so I don’t know if they are playing my records.
AL: This is your first tour of America?
Marc: Yeah, this is our first tour ever. We are starting today. We played one show in New York during CMJ a month ago. We played a show in Denmark. We went back to Paris. We came to America two days ago. Tonight is the first show of the tour. We will be Los Angeles in three days.
AL: What are your impressions of playing in America?
Marc: We have always like to play in New York. This is our fourth show in New York. We have met a lot of cool people. Tonight is a special night because the election just happened. It is strange to be here right now because we are doing a gig that is a social entertainment. It’s is during a difficult context.
AL: What songs do you play in the live show?
Marc: We play most of the songs from the record. We also play two new songs. Those songs will be on the second record.
AL: Do you have any advice for people who want to do records?
Marc: No. My advice is no advice.
AL: Have you done any collaborations with other bands or singers?
Marc: I would like to but so far there is no real plan. There is only one English band that I know of that would be interested in some form of collaboration. They are called Chris & Cosey.
AL: Have you seen any of the Throbbing Gristle performances?
Marc: The only thing I saw was Genesis P-Orridge. It was a movie soundtrack.
AL: Are there any novelists that you like?
Marc: I like all the Russian writers like Doestoevsky and Checkov. I like a lot of things about Eastern European culture.
AL: Have you been there?
Marc: I have been to Warsaw, Poland.
AL: What do you think of people comparing your music to Joy Division?
Marc: For some people it makes sense to compare the whole record to Joy Division. I like that period and place where Joy Division comes from, and for me, it doesn’t just stop at Joy Division. It goes much deeper. I am very interested in where that band is coming from. I am interested in the whole musical culture. I am interested in bands from the same time from France and the USA. In France, you had a band called Marquis de Sade. If you asked me what band you preferred, Marquis de Sade or Joy Division, I couldn’t tell you. They don’t sound like each other, but they were around at the same time. There are a hundred bands from that time.
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